ZGram - 1/16/2004 - "'The Passion: 'Behold, I make all things
new.'"
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zgrams at zgrams.zundelsite.org
Fri Jan 16 10:30:32 EST 2004
Zgram - Where Truth is Destiny: Now more than ever!
January 16, 2004
Good Morning from the Zundelsite:
The Communist era brought more grief into this world than any other
time in human history, and I am certainly not fond of its leaders -
or instigators. Among them, the name of Lenin looms large, and I
condemn him with as much revulsion as I feel for those who were his
fellow travelers. Today, the man looks "benign" only in comparison
with Stalin, who was a soulless monster in the disguise of human
form.
However, I have to admit that when I come across the name of Lenin,
there is a story overlay within my heart that colors everything. I
read it many years ago, and it has never left me.
And it is this:
His older brother, a young anarchist involved in the plotting to
topple a Russian Czar, was caught and sentenced to be hanged.
Traditional history books describe him as a quiet and studious young
man, only marginally guilty yet chosen by fate to pay with his life
for what he stood accused of having done. I have no way of knowing
the extent of his involvement - he might indeed have been guilty.
Who knows? He might have been just foolish, as many young anarchists
are.
What stayed with me, however, was not the question of his innocence
or guilt - it was a vividly and rather poignantly described scene of
the very last hour of his life. On his way to surrender himself to
the hangman, his mother stumbled alongside him, talking to him,
giving him strength to face death by clinging to the knowledge of her
love. Is there a human being on this earth who can't identify?
This scene of a mother walking her son to his death was a profoundly
wrenching experience for Lenin, then still a teenager. It set the
course for his entire life. It set it in cement. From then on, as
far as he was concerned, the Czars would pay the price - and so they
did. He saw to it. When payback came, it was gruesome.
I have often wondered how future global developments might have
turned out if this scene had not happened to influence the course of
history. I am telling you this because I believe that Mel Gibson's
masterpiece, "The Passion", will similarly impact on our future,
quite possibly as a much-needed antidote to all the rivers of blood
that must be laid at Communism's doors. As Ernst is fond of saying:
"The universe is out of whack. The universe must right itself before
there will be peace."
I haven't seen this film yet, of course. I cannot say if I agree or
disagree with the review below, but let nobody underestimate the
truly gifted artist's reach who speaks to human heart of right and
wrong in vivid images through the inherent power of true talent - to
borrow a phrase: "the kind that makes heaven touch earth."
Here is yet another review by Paul Harvey:
[START]
I really did not know what to expect. I was thrilled to have been
invited to a private viewing of Mel Gibson's film "The Passion," but
I had also read all the cautious articles and spin. I grew up in a
Jewish town and owe much of my own faith journey to the influence.
I have a life long, deeply held aversion to anything that might even
indirectly encourage any form of anti-Semitic thought, language or
actions. I arrived at the private viewing for "The Passion", held in
Washington DC and greeted some familiar faces. The environment was
typically Washingtonian, with people greeting you with a smile but
seeming to look beyond you, having an agenda beyond the words.
The film was very briefly introduced, without fanfare, and then the
room darkened. From the gripping opening scene in the Garden of
Gethsemane, to the very human and tender portrayal of the earthly
ministry of Jesus, through the betrayal, the arrest, the scourging,
the way of the cross, the encounter with the thieves, the surrender
on the Cross, until the final scene in the empty tomb, this was not
simply a movie; it was an encounter, unlike anything I have ever
experienced.
In addition to being a masterpiece of film-making and an artistic
triumph, "The Passion" evoked more deep reflection, sorrow and
emotional reaction within me than anything since my wedding, my
ordination or the birth of my children. Frankly, I will never be the
same.
When the film concluded, this "invitation only" gathering of "movers
and shakers" in Washington, DC were shaking indeed, but this time
from sobbing. I am not sure there was a dry eye in the place. The
crowd that had been glad-handing before the film was now eerily
silent. No one could speak because words were woefully inadequate. We
had experienced a kind of art that is a rarity in life, the kind that
makes heaven touch earth.
One scene in the film has now been forever etched in my mind. A
brutalized, wounded Jesus was soon to fall again under the weight of
the cross. His mother had made her way along the Via Della Rosa. As
she ran to him, she flashed back to a memory of Jesus as a child,
falling in the dirt road outside of their home. Just as she reached
to protect him from the fall, she was now reaching to touch his
wounded adult face.
Jesus looked at her with intensely probing and passionately loving
eyes (and at all of us through the screen) and said "Behold I make
all things new." These are words taken from the last Book of the New
Testament, the Book of Revelation.
Suddenly, the purpose of the pain was so clear and the wounds, that
earlier in the film had been so difficult to see in His face, His
back, indeed all over His body, became intensely beautiful. They had
been borne voluntarily for love. At the end of the film, after we had
all had a chance to recover, a question and answer period ensued. The
unanimous praise for the film, from a rather diverse crowd, was as
astounding as the compliments were effusive. The questions included
the one question that seems to follow this film, even though it has
not yet even been released. "Why is this film considered by some to
be "anti-Semitic?"
Frankly, having now experienced (you do not "view" this film) "the
Passion" it is a question that is impossible to answer. A law
professor whom I admire sat in front of me. He raised his hand and
responded "After watching this film, I do not understand how anyone
can insinuate that it even remotely presents that the Jews killed
Jesus. It doesn't." He continued "It made me realize that my sins
killed Jesus" I agree. There is not a scintilla of anti-Semitism to
be found anywhere in this powerful film. If there were, I would be
among the first to decry it. It faithfully tells the Gospel story in
a dramatically beautiful, sensitive and profoundly engaging way.
Those who are alleging otherwise have either not seen the film or
have another agenda behind their protestations.
This is not a "Christian" film, in the sense that it will appeal only
to those who identify themselves as followers of Jesus Christ. It is
a deeply human, beautiful story that will deeply touch all men and
women. It is a profound work of art. Yes, its producer is a Catholic
Christian and thankfully has remained faithful to the Gospel text; if
that is no longer acceptable behavior than we are all in trouble.
History demands that we remain faithful to the story and Christians
have a right to tell it. After all, we believe that it is the
greatest story ever told and that its message is for all men and
women. ***The greatest right is the right to hear the truth.*** [MY
EMPHASIS!]
We would all be well advised to remember that the Gospel narratives
to which "The Passion" is so faithful were written by Jewish men who
followed a Jewish Rabbi whose life and teaching have forever changed
the history of the world. The problem is not the message but those
who have distorted it and used it for hate rather than love. The
solution is not to censor the message, but rather to promote the kind
of gift of love that is Mel Gibson's filmmaking masterpiece, "The
Passion." It should be seen by as many people as possible. I intend
to do everything I can to make sure that is the case. I am passionate
about "The Passion." You will be as well.
Don't miss it!
[END]
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